cg wrote:
In many cases all you need to do is overlay product launches on top of their stock performance for proof that stock price reflects the power of design. Look at Motorola and the launch of the Razr, or Apple in both the era of the iMac and iPod. It's plain as day and designers need to get hip to this to sell the value up the chain. Chuck Jones did it at Whirlpool in '97 and I've done it, so don't tell me that it doesn't work.
You must be richer than Warren Buffet! To think all one needs to do is overlay a couple of graphs.
I am well aware of the hype in the media, encouraged by the public relations departments of companies profiled, to credit design with their success. It makes a good story, but oddly I don't hear any Wall Street analysts saying watch a design index: it will predict stock price. No, all this is coming from design lobby organizations, journalists with a pet interest in design (mostly Fast Company/BW, who do ad nauseum) and the PR machines at companies. BTW, Fast Company and Business Week are not considered serious business publications in the way the Wall Street Journal is.
What is going on? To the entext there is a correlation in stock price and a companies enthusiasm for design, it is rarely a cause-effect relationship. Autos are a special case, because style does matter much more with autos. But it is absurd to say P&G's stock price reflects their design ability. Hey, I own P&G, and I know I own it for reasons other than design. How much does "Oral B" contribute to P&G's overall sales?
What actually happens is you get a management team that runs thing well generally, including recognizing design has a role to play. Stock price goes up because many things are managed well, not just design. I would argue that Apple is commercially successful now primarily because it has stopped its stupid policy to expecting people to pay through the nose for its products. They have had to pay attention to costs, and drop some arrogance.
I feel the biggest handicap of designers becomes evident when they gush about a simple linear relationship between hipness and profits. That handicap is their very poor ability to view things critically and skeptically. Designers aren't taught this, whether they attended art school or even engineering school. You need a liberal arts education for that. As wonderfully imaginative as designers can be, it can blind them to seeing and considering the logical complexity of relationships.