Thanks man. Your right. Definetly some Bertone in there. That is the era we were referencig for sure. Maybe a little too "Smooth Criminal"though? Maybe a couple of smooth transitions would help it feel more cohesive… Like newer Lambo’s… We’ve also talked about adding some more form to the engine cover to articulate and strengthen the surface as well as pick up the double hoop roll over bar form a bit.
I think the two tone could be very nice for the track. I also like the idea if always calling the frame out in a contrasting tone. A black car with a white frame could be killer.
I’m almost thinking of taking a step back and working up an entirely different approach.