I’ve been taking sketching classes and we’ve recently started on marker renderings.
However, I am struggling with blending the colours. My instructor says to shade quickly and saturate the paper with ink but it hasn’t worked well for me. I still see lines where I transfer from shade to shade.
I would like to post my shadings here but unfortunately I currently do not have access to my sketching portfolio.
Are you using marker paper? Just keep going over the streaks and blend the two colors together. Should be about 75% overlap on each stroke. Your markers might also be drying up.
You need three shades of markers (for example 30%, 40% and 50%) saturate the page with circular motions using the 30%, then apply the 40%, and then the 50%. Then go back over everything with the 30% and it will blend together the transition points. If it makes the page too dark, use a 10% or 20% to go over everything.
I remember having in my formidable marker arsenal (a long time ago) a marker titled ‘BLENDER’ which was straight-up, 100% chemicals with no color. One used it on the transition areas to blend in between colors. Never was as good as advertised.
Marker pads exist for a reason. Regular paper sucks ink out of your markers. If they were used it’s going to suck them dry even quicker. So you might not spend money on the paper but your markers will be wasted after a semester.
Buy a marker pad - the paper is a different consistency for a reason and it will make blending much simpler.
Keep in mind most marker pads also have two different sides to the paper, one coated one uncoated. You want to make sure you’re on the correct side or the results will be different (try it out and you’ll see what I mean).
Another note, with markers it often helps to try and NOT heavy fill areas. If you want solid colors and perfect gradients, use a digital program like photoshop or illustrator. Markers are great for gestural work and for helping define form very quickly. One of my presentation teachers once told me that you should be able to render with one maybe two or three tones and use application and white space to your advantage.
Also marker paper is a must, if you cant find marker paper quality colored printing paper works great as well.
Anymore I jus use a straight up solid fill, let it dry, go back with the same tone (it will darken it) then hit it with some white and black chalk… It’s faster, more expresive, and you don’t have to have 100 markers to make it work…
It’s pretty simple, just make sure it is a powdery chalk like Prismacolor Nupastels. You can shave it with an exacto onto the page and rub it with a tissue or cotton pad, but I just scribble a little out into a tight area and then rub it. Pretty portable, though your hand will get messy. It is also good for erasing back out details, or marking a shadow back in. Makes it feel more arty, and hand done, and people seem to respond to that after 5 years of looking at glossy on screen work.
as you mentioned,if you don’t want to get a “pen mark” in your drawing,
there are basicly two ways you can do~
draw fast enough,let each stroke overlap a part with each other.
thus,you can get a “not very clear pen mark”,but still can be seem…
2.overlap you strokes again and again,until the paper suck the ink to it’s limit.
thus,you can get a “absolutely no pen marks”~ this is the most simple way~
but you 'll get a more saturate color in the end.